Eliška Weissová
ENCZDEIT日本語

PressTisk

Selected reviews, organised by production.Vybrané recenze, seřazené podle inscenace.

Kostelnička · Jenůfa
Wiener Staatsoper · debut 2022
“Janáček's opera, led to triumph.”“Janáček's opera, led to triumph.”
Bachtrack, October 2022 · read full reviewčíst celou recenzi
"Phänomenal ist Eliška Weissová als Küsterin, eine Kindsmörderin zum Fürchten. Stimmlich bringt sie für diese Rolle alles mit, explosive Ausbrüche, überwältigende Kraft, und sie klingt immer sehr gut.""Phenomenal as Kostelnĭčka — a child-murderer to be feared. Explosive outbursts, overwhelming power, and always magnificent."
Kurier · Susanne Zobl · Wiener Staatsoper, 9. Oktober 2022
Kostelnička · Jenůfa
Welsh National Opera · 2022
"A formidable figure, her fine soprano blazing first with the certainty of her conviction, and then with the bitter remorse on admission of her crime.""A formidable figure, her fine soprano blazing first with the certainty of her conviction, and then with the bitter remorse on admission of her crime."
The Guardian
"It is thanks to Eliska Weissova's compelling Kostelnička that this naturalistic production comes together.""It is thanks to Eliska Weissova's compelling Kostelnička that this naturalistic production comes together."
The Times
"The triumph of the evening — demanding such a command of range and timbre, and Weissova delivered the goods magnificently.""The triumph of the evening — demanding such a command of range and timbre, and Weissova delivered the goods magnificently."
Midlands Music Reviews
Kostelnička · Jenůfa
Staatsoper Hamburg · 2024
"Eliška Weissová überzeugte mit ihrem ausgesprochen schallstarken, auch in der Tiefe noch voll klingendem Sopran nicht nur in den dramatischen Szenen, sondern ihr gelangen auch sehr gefühlvolle Töne, etwa bei der Bitte an Stewa, sich seines Sohnes anzunehmen.""Weissová convinced with her extraordinarily powerful soprano — full-bodied even in its depths — not only in the dramatic scenes, but also in moments of great tenderness, such as Kostelnička's plea to Stewa to acknowledge his son."
Klassik-begeistert.de · Dr. Ralf Wegner · read full reviewčíst celou recenzi
Elektra
Theater St.Gallen · 2025
“Sovereign in every register, with a very round depth, against the dense, furious and mighty orchestral score.”“Sovereign in every register, with a very round depth, against the dense, furious and mighty orchestral score.”
“Powerful, demanding, fascinating.”“Powerful, demanding, fascinating.”
St.Gallen24 (trans.) · read full reviewčíst celou recenzi
"Eliška Weissová verfügt über diese nie nachlassende Kraft, schleudert die Töne fanfarenartig detonierend in den Raum, vom brustigen Röhren aus die Register durchschreitend zur gellenden, schmerzerfüllten, nie wackelnden Höhe.""Weissová commands a relentless power, hurling her tones fanfare-like into the space — from a chest-voice roar traversing the registers to a piercing, pain-filled, unwavering top."
opera actuell · Elektra, Theater St. Gallen
"In der Titelpartie brillierte Eliška Weissová. Ihre Elektra war geprägt von schauspielerischer Präsenz und enormer stimmlicher Kraft — sie meisterte die äußerst anspruchsvolle Partie mit überwältigender Energie und zugleich subtiler psychologischer Gestaltung.""In the title role, Eliška Weissová was brilliant. Her Elektra was defined by stage presence and enormous vocal power — she mastered this extremely demanding part with overwhelming energy and subtle psychological depth."
Foreign Princess · Rusalka
Wiener Staatsoper · 2024
“A Rusalka full of passion.”“A Rusalka full of passion.”
Isolde · Tristan und Isolde
Seoul Arts Center · 2025
"An overwhelming vocal power that pierced through the orchestra, leaving a powerful impression.""An overwhelming vocal power that pierced through the orchestra, leaving a powerful impression."
한국경제 / Hankyung (trans.) · read full reviewčíst celou recenzi
경향신문 / Kyunghyang Shinmun (Korean) · read full reviewčíst celou recenzi
Ortrud · Lohengrin
National Theatre Prague · 2017–2018
"Eliška Weissová als Ortrud fulminant heraus. Ihr mit pfeilgeraden Spitzentönen schallendes »Entweihte Götter« gab dieser Begegnung mit der Opernvergangenheit wenigstens für Momente etwas aufregend Heutiges.""Eliška Weissová stood out from the ensemble brilliantly as Ortrud. Her »Entweihte Götter«, ringing with arrow-straight high notes, gave this encounter with opera's past at least some excitingly contemporary moments."
Die Welt · Manuel Brug · read full reviewčíst celou recenzi
"With her powerhouse dramatic mezzo, Weissová circled her husband and Elsa like prey. In »Entweihte Götter« she let fly with chandelier-rattling force.""With her powerhouse dramatic mezzo, Weissová circled her husband and Elsa like prey. In »Entweihte Götter« she let fly with chandelier-rattling force."
"Deliciously wicked and imperious as Ortrud. Comfortable at either extreme of the role's vast vocal range, she literally hurled her curse across the stage at Elsa.""Deliciously wicked and imperious as Ortrud. Comfortable at either extreme of the role's vast vocal range, she literally hurled her curse across the stage at Elsa."
Seen and Heard International · read full reviewčíst celou recenzi

Translations of German and Czech reviews are shown for readability; each links to the original source. Full multilingual coverage follows in the language versions.Překlady německých a českých recenzí jsou uvedeny pro přehlednost; každá odkazuje na původní zdroj.

RecognitionOcenění

AwardsCeny a soutěže

First prizePrvní cena
Antonín Dvořák International Singing Competition
Karlovy Vary, Czech Republic · 2004
Third prizeTřetí cena
Mikuláš Schneider-Trnavský Singing Competition
Slovakia · 2006
AlsoTaké
Competizione dell'opera, Dresden · Boris Christoff Competition, Sofia
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Biographies, high-resolution photographs with credits, and a press and booking pack are available from the contact page.Životopisy, fotografie ve vysokém rozlišení s atribucemi a tiskový a bookingový balíček jsou k dispozici na kontaktní stránce.

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